What better way to chase an anti-banger than with one of the best horror films Stef(@witchpudding) has ever seen in the theater. Sadee (@sadeebee) and Mel (@Heda_Mel) join her to…
As is frequently stated on this podcast, they can’t all be bangers! Sometimes the price for a black final girl is a mediocre and lackluster film. Stef(@witchpudding), Sadee (@sadeebee) and…
Black History Month continues with Stef(@witchpudding) and Sadee (@sadeebee) diving into Black Box (2020), the second installment of the Welcome to Blumhouse anthology on Amazon Prime. Directed by the talented…
We’re kicking off Black History Month with Stef(@witchpudding), Mel(@heda_mel), and Sadee (@sadeebee) at the helm. This first week they’re covering the reunion of Luca Guadagnino & Timothee Chalamet in the…
Jay (@JayRaffertyPoet), Mel (@Heda_Mel), Sadee (@SadeeBee), Al (@MayBMockingbird), & Molly (@Night_TimeTea) tackle one of the worst movies of the month & some other stuff in the final installment of #31daysofhorror 2023.
Another Stephen King pessimistic writer self-insert in this narrative but we’ll forgive him because Kathy Bates practically eats up this performance and earning herself an Oscar in the process.
A mostly faithful adaptation of the Stephen King novel, this 2007 film takes all of the ambiguity of an unreliable narrator and open-ended story and gives you a definite cause and ending with an iconic final scene to boot.
Modern Australian horror really loves psychologically damaging single mothers, huh? Based on director Jennifer Kent’s 2005 short film Monster this 2014 film did the rounds in the meme world when Pennywise and the Babadook became lovers.
A 2001 would-be movie monster classic. Let’s set the scene: A hot, dusty road in the American countryside. Two sweaty teens in an old car encountering a dark, menacing vehicle.